Why did Elvis die? In a technically complex and thought provoking exploration of Elvis' death, William Ronan, Clinical Member of AAMH and American Psychotherapy Association Diplomat, presents his case for considering causative factors - principally how cumulative personal loss and its associated trauma led to Elvis' loneliness, depression and addiction, factors which affected his physical state and ultimately contributed to his death. Read Nigel Patterson's detailed review Book ReviewSource:
They were all babbling gossips with more earwax than brains, as his father was wont to say. Though Shakespeare had got there first. Yet Essays on strictly ballroom he was, nonetheless, entering a ballroom in the heart of London, rather than casting a line into a Highland stream, as he would have preferred.
It was a disagreeable but inescapable fact of life—or of his life, at any rate—that fishing for a bride had taken precedence over fishing for salmon. The moment he was announced, a flock of young women swiveled toward him, each face flaunting a gleaming array of teeth. To his mind they all looked constipated, though more likely the smiles were an automatic response to his title.
He was, after all, an unmarried nobleman in possession of all his limbs. Hair, too; he had more hair than most Englishmen.
Not to mention a castle.
His hosts, the Earl of Gilchrist and Lady Gilchrist, were waiting at the bottom of the steps, so the young ladies did not instantly pounce. Gowan liked Gilchrist—he was stern but fair, and had a brooding gaze that was almost Scottish.
They were both interested in financial affairs, unlike most gentlemen, and the earl was a damned fine investor. By all appearances, she was one of those aristocratic women who emulated the attire and manner of an opera dancer. Gilchrist, on the other hand, bought to mind nothing so much as a stern churchwarden.
It could not be a harmonious pairing. A man and wife ought to be complementary in age and interests. The countess was telling him about her stepdaughter, Edith, so Gowan bowed and expressed his ineffable pleasure at the idea of meeting the young lady.
What an awful name. A long-tongued woman would have that name. A fusty nut, a flap-eared … Englishwoman. Without warning, Lady Gilchrist slid her arm through his so he might accompany her to the adjacent reception chamber; he scarcely managed to suppress a flinch.
In his youth, servants had always hovered around him, adjusting his clothing, touching his neck, wiping his mouth. But in the years since he turned fourteen, he had suffered no such familiarities unless absolutely required.
Because he had very little time alone, he preferred to maintain a barrier between himself and the world.
If there was anything that Gowan hated, it was wasting time. Time wasted itself, in his opinion. All too soon, and out of the blue, you toppled over and died, and all your moments were gone. It would be rank foolishness to pretend that those moments were infinite and endless, which—in his opinion—was precisely what people were doing when they dawdled about in the bath or spent hours lazing about reading poetry.
It was his inclination and his habit to do as many things at once as possible. Indeed, this ball was a case in point: Gilchrist was giving a ball, which young ladies would attend. Gowan had an acute—not desperate, but acute—need for a spouse.
Ergo, two birds with one stone.
He preferred three or four birds with a single stone, but sometimes one had to settle for less. The only problem was that the room was filled with English ladies, and he had determined that it would be a bad idea to marry one of those.
It was true that a Scottish nobleman always had good reason to tie himself to one of the great houses of England. But it was also true that an English lass was, perforce, English. Theirs was an indolent race, as everyone knew. Their gentlewomen sat about doing naught but quaffing endless cups of tea and reading novels, while their Scottish counterparts to the north thought nothing of running an estate with a thousand sheep while raising four children.Except at a wedding, the function strictly understood by the word “reception” went out of fashion, in New York at least, during the reign of Queen Victoria, and its survivor is a public or semi-public affair presided over by a committee, and is a serious, rather than a merely social event.
1 The. The film, Strictly Ballroom explores the role of family in inhibiting or enabling the evolving nature of one's sense of identity through the journey of the protagonist, Scott Hastings as he endeavours to break free from the narrow constraints of the ballroom .
Strictly Ballroom Essay Image enables us to perceive the nature of different worlds from various perspectives and angle view.
The audience has the advantage of perceiving the nature of the world in each text, from his/her own perspective. American Graffiti, Philadelphia-Style: I always enjoy watching the movie, 'American Graffiti'. Set in , it's about a couple of high schools grads who spend on one night hanging out, cruising the strip with their buddies before they go off to college.
Strictly Ballroom Essay Question: What does the composer of your text reveal about the concept of belonging? You should answer on either ‘Romulus, My Father’ or ‘Strictly Ballroom’ depending on which you have studied. Composer, conductor, inspiration, FBI suspect Leonard Bernstein was born years ago this August, and this summer’s Proms will celebrate his work.